Skip to main content

My Review

(I actually started writing this the day after I saw it. It's taken a while to get around to finishing it.)

I'm glad I didn't do the midnight show.

First, a little background on my involvement with George Lucas's creation, known as Star Wars. I was not even two when the first Star Wars was unleashed upon the world. Back then, it was just Star Wars—the sub-title "A New Hope" was added later (which is ironic, considering the much more objectionable changes later made to the original films by Lucas.) But I have always known Star Wars. It is the first film I remember seeing. My brother and I had a good percentage of the original toys, we actually still do. I've dressed up as Star Wars characters for Halloween and I've watched every Star Wars spinoff, even the Ewoks movies. I have owned the original trilogy in 3 different incarnations on video. I have a print of Darth Vader hanging in my house and until the last few years I've continued to collect Star Wars merchandise. In short, I've been a fan.

On with the review.

This film, the last we will ever have, may be one of the most beautiful things I have ever seen in a theatre. The action sequences, especially the opening space battle, are mind-bogglingly wonderous to behold. The line between CGI and models has been erased in this film.

But it's an awful film. Especially for a Star Wars film. Sure, it may be better than the last two, but what does that say? A ringing endorsement that is not. This final chapter, the one that should have been a slam-dunk, completes the removal of the franchise's soul at the hands of its own creator.

The plot is rushed, because an awful lot has to happen to get to the end game. The dialogue is... I cannot think of an example to convey just how bloody awful this really is. The characters are akin to the life-size cutouts you used to see in theatre lobbies and can still find in tourist traps on Hollywood Boulevard.

In ROTS, Lucas continues to remove everything that was special about the Force. This and the total emasculation of the Jedis are what makes this new Trilogy a pale imitation at best of everything that worked about the first one. Although this is really all just a logical extension of where Lucas started going with Return of the Jedi. Ewoks, a feel-good quickie ending and a second Death Star are all indications of the beginnings of 20 years of mailing it in when it comes to Lucas and his Star Wars films.

The only moments that are at all enjoyable in this film are ones involving Yoda, Chewie and ... well, I guess that's about it. Moments that rely on nearly 30 years of living with these characters--nothing in this movie or the two that have proceeded it have been able to manufacture any emotional involvement in these characters. And as enjoyable as some of the Yoda bits are, Lucas kills those near the end by giving him some of the worst lines imaginable and one disastrous exchange that fully kills the Force.

Obi-Wan is reduced to a one-lining action hero in this film. There is very little here to indicate 20 year transition to the wise knight we came to know in 1977.

Anakin. There's no point in talking about the exchanges with Padme. His transition to the dark side is handled with boxing gloves. It's not believable, it's not compelling, it just sucks.

There's also a problem with the time line. If 20 years later we're supposed to get A New Hope, it doesn't work. This particular film should have happened 10 years later. Anakin going from confused/angry teen to the embodiment of evil and terror in the galaxy would work better. He's too young. The jump from this Obi-Wan to the next would also work better.

The final minutes of ROTS tries to shoehorn everything together to tie this misbegotten trilogy to what came before and it's just awful. Padme's death becomes just a plot device. The naming of the twins is so bad and unworthy of the Star Wars heritage. Yoda's exchange with Obi-Wan about how Qui-Gonn has learned to speak with the living from the other side is a bigger affront to fans than the infamous "midichlorians".

Then there's the plot points. I mean, holes. Not just between this tril and the former (or is that next?), but the weak plotting in this trilogy doesn't hold up, either:

What was the prophecy? Not that we needed this in the first place.

Why were the Sith out for revenge? For what, exactly?

Why doesn't Chewie know about Yoda in the original tril?

What happens in these next 20 years to R2-D2's jets and other enhancements?

Why can't Obi remember the droids in Episode IV? Surely 20 years isn't too long, considering the amount of time he was around them?

Why are the Jedi so stupid? They come across as neither wise or intelligent.

What's with all the flipping?

The list goes on...



I wanted to enjoy this one. I really did. But crap is crap. And the Force is no longer with us.

Comments

Maia said…
And how about the fact that it apparently took 20 years to build the first Death Star and only six to slap together a second one?

My favorite moment in the whole film was Darth Vader snapping his bonds and goose-stepping, Frankenstein's-monster-like, off the operating table and letting out the roar that let us all know his soul was truly gone (oh, wait, except that there is still good in him. I can feel it).
Zach Pennington said…
Good point!

Hearing that bit of J.E. Jones dialog completely ruined the mystique of Vader. Another reason this whole thing should have happened 10 years later. He should have become a total badass before the final duel on the lava. None of us needed to hear that melodramatic "Noooooooooooooooooo!"

Here's another: who was controlling the lava skiffs?? When I heard a rumor that something like that was being done months before it came out, I knew it wasn't going to be any better than the previous, conclusion or no.
Latigo Flint said…
Well maybe, but I sure loved the part when Fezzik found the four white horses in the prince's stables and brought them along just in case they found the lady... "hello lady"...

(Oh wait, I'm thinking of The Princess Bride, aren't I?)
Zach Pennington said…
Oh, great! Now you've reminded me that Andre the Giant is no longer with us. I was barely holding on with the news that Mrs. Robinson is gone forever and now this. While you're at it, why don't you give me a paper cut and pour lemon juice on it?!?!

Popular posts from this blog

Some things are better left uncovered

Sometimes you hear a cover and go to yourself, "hey, that's doper than Sam Perkins at Woodstock." Other times, you wonder (possibly aloud) "that no talent hack! They couldn't even carry [inset original artist here]'s guitar case!" [Ed. note: You should have seen what the author originally wanted to use as the carried item. Believe us, it wasn't a guitar case.] Today was an example of the second. Some fool whose name I cannot even spare the mental RAM for, has covered "High and Dry" by the esteemed Radiohead. This is up there. With the worst covers of all time. Some songs just don't ever need to be covered. Like this one. And like "It's My Life" by Talk Talk. But No Doubt did a decent job with that one, although they crapped all over it with that video. This one today was bad. When you do a cover, you're supposed to bring something to it. Maybe your sound is similar to the original artist's, an...

How to write like a gossip columnist

Anyone can do it! Just keep in mind to never use your source's name, and always play up a celebrity's reaction to something using the following words: Blast Slam Fuming Here's an example: "Latigo Flint blasted reports that his guns do not actually fire live ammunition." Use them in combination!: "Gil slammed fellow carnie Sal's insinuation that he got a bit too personal with a badger. "It was cold and he wasn't even there!" the one-eyed Whack 'em Cats operator fumed." That's right, kiddies. Anyone can write a gossip column. And with the internet, anyone can publish it, too! p.s. Don't forget to put a salacious slant on everything. And blow things out of proportion, too. In fact, you may want to change your middle name to that.